Marica Fasoli was born in Bussolengo (Vr) in 1977. After graduating in 1995 as a teacher of art at the Liceo Artistico Statale di Verona section Accademia, in 1997 specialized in the Responsible for the Conservation and Maintenance of artistic artefacts on wood and canvas with honors from the Santa Paola Institutes of Mantua.  

Since 2002 she gradually abandoned the activity of restorer, devoting himself increasingly to the main passion, painting, measuring himself above all with reproductions of the masterpieces of the past, also obtaining numerous certificates of esteem and recognition in the local press. 

From 2006 she embarks on an autonomous journey that leads her to concentrate her expressiveness and artistic research in the hyperrealist figurative field, research that led her to the formulation of two distinct expressive strands (the ‘invisible people’ and the ‘3d Boxes’), both focusing on the concept of ‘content / container’. 

Since 2015, her continuous research has led her to break away from a figurative and didactic representation of reality. The objective was achieved through a process of creation / destruction focused on the manual construction, in many cases very complex and laborious, of origami, which, after being created, are “deconstructed”. 

The final result is therefore no longer purely interpretable exclusively on a figurative basis, indeed. The figurative aspect definitely goes into the background, for the benefit of a multiplicity of combinations such as kinetic and concretist movements. Using the shades of grey as a chromatic scale, but not only, making interventions with pure colors typical of concrete art. 

These interventions in turn refer to the geometric shapes suggested by the work itself or more often to the Fibonacci succession, whose relationship between the numbers comes very close to the golden number, that is to say the harmonious relationship par excellence.

In 2010 the first solo show, “3Dpinti. Message in a box ’, curated by Luca Beatrice, in the spaces of the Matalon Foundation in Milan.

In the same year, one of his works is acquired and enters the collection of the Parisi-Valle di Maccagno Museum (Varese); she is then invited by Valerio Dehò to the “The Glocal Rookie of the Year” contest in the context of KunstArt Bolzano.

In the article “The deception of the visible” published in Art & Dossier in September 2010, Alberto Agazzani points it out among the “most talented hyper-realists”. 

In 2011 she was invited by Vittorio Sgarbi to the ‘Padiglione Italia – Veneto Region’ of the 54th Venice Biennale ’.

In 2011 she was a finalist in the ‘Premio Arte’ at the Palazzo della Permanente in Milan, and won the 1st Prize at the ‘Pisanello’ competition organized by the Toniolo Foundationin Verona.

In the same year, she was invited by Luca Beatrice to the collective ‘Fender Rewind’ at the International Museum of Musicin Bologna; then participates to the collective of hyperrealistic artists “Stillness.A new realism by italian artists ’at the SOTA Gallery in Hong Kong.

In March 2012, an interview with herin the major Argentine newspaper, El Clarin, is published.

In 2013 it is her second solo show, ‘2 Anime’, curated by Alberto D’Atanasio, at the Museums of Santa Giulia in Brescia.

In the same year she was invited by Alberto D’Atanasio to the collective ‘Art in therapy. Thirty-three artist diagnosis at the National Archaeological Museum in Spoleto during the 56th Festival of 2 Worlds; then exhibited in the collective ‘Muse’ curated by D’Atanasio at Gagliardi Arte Contemporanea in San Gimignano.

In August 2013, American collector Ross Goldstein nominated her as one of his favorite artists in an interview published on the New York Times.

2015 opens with the invitation of Luca Beatrice to ‘Imago Mundi Luciano Benetton Collection ’at the spaces of the Sandretto Re Rebaudengo Foundation in Turin.

She is also selected for ‘Mutabilia’, a curatorial project within the Paratissima 2016 in Turin, where she is awarded among the top 15 artists of the entire event.

The 2018 opens with the participation in Affordable Art Fair in Milan, followed by the one at ArteGenova and Parma Art Fair.